The New Yorker, “May to December”

The New Yorker, “Shanghai”

The New Yorker, “Scylla and Charybdis”

The Los Angeles Review of Books, “Do You Sell Dignity Here?” and “In Death, We Met in Scotland”

Thrush Poetry Journal, “Church Girls”

Ploughshares, “Rhode Island Wedding”

Chicago Review, Three poems

The Adroit Journal, “Conversion” and “Venus, Aged” 

The Missouri Review, Poem of the Week, “Sonora”

BOAAT Journal, “At the Public Library, Surrounded by the Unlikely in Montauk, NY”

Academy of American Poets (Tin House Preview), “In California, Everything Already Looks Like the Afterlife” 

Bennington Review, “Amsterdam”

Court Green, “The Poet Holds a Gun”

Thrush Poetry Journal, “Regret is like a Blue Dive”

Rattle, “Nukemap.com” 

The Common, “Good Boys”

The Common Feature Poet Online, “White People Always Want to Tell They Grew Up Poor”

The Adroit Journal, “Fabric in Tribeca”

PANK, “Indigo” and “Dior”`

Rattle, “The Flight to Sacramento”

Guernica, “The Afrikander”


The Poetry Foundation, April 2021-present

Boston Review, “Toxicity, Vulnerability, Intimacy” 

Boston Review, “A Body of Shifting Resilience: Review of Cortney Lamar Charleston’s Telepathologies”

Electric Literature, “On Amitav Ghosh’s The Great Derangement” 

Rattle, Review of Sarah Riggs Autobiography of Envelopes 


LitHub, “Elemental City”

Configurations: Journal of Literature, Science, and Art, “The Poetics of Suspense”

The Margins, AAWW, “Meena Alexander: On Intrusion, Dissolution, and Elsewhere” 

The Margins, AAWW, “Obama in Kenya: Geographies of Diaspora in Four Movements”

The California Journal of Poetics, “Scientific Materialism and Poetics” 

Postmodern Culture, “The Transgenic Imagination”