The New Yorker, “Shanghai”

The New Yorker, “Scylla and Charybdis”

The Los Angeles Review of Books, “Do You Sell Dignity Here?” and “In Death, We Met in Scotland”

Thrush Poetry Journal, “Church Girls”

wildness, “Calypso in Paris”

Ploughshares, “Rhode Island Wedding”

Chicago Review, Three poems

The Adroit Journal, “Conversion” and “Venus, Aged” 

The Missouri Review, Poem of the Week, “Sonora”

BOAAT Journal, “At the Public Library, Surrounded by the Unlikely in Montauk, NY”

Tin House, “In California, Everything Already Looks like the Afterlife” and “The Eulogy”

Academy of American Poets (Tin House Preview), “In California, Everything Already Looks Like the Afterlife” 

Denver Quarterly, “The Machine and the Catholic or Alice and Eileen”

Hayden’s Ferry Review, “Bad Habit”

Columbia Poetry Review, “Coloring Hour” and “Running in the Suburbs”

Bennington Review, “Amsterdam”

Court Green, “The Poet Holds a Gun”

Thrush Poetry Journal, “Regret is like a Blue Dive”

Rattle, “Nukemap.com” 

The Common, “Good Boys”

McSweeney’s Internet Tendency, “Eight Symptoms of Senior Colleague Syndrome”

The Common Feature Poet Online, “White People Always Want to Tell They Grew Up Poor”

The Adroit Journal, “Fabric in Tribeca”

PANK, “Indigo” and “Dior”`

Rattle, “The Flight to Sacramento”

Guernica, “The Afrikander”

poem-a-day, Academy of American Poets, “The Jungle”

Cosmonauts Avenue, “Jules et Jim” and “Libson” 

The Volta, “SalmonFly”

The Walrus, “Manchester to Lisbon” 

Two Peach, “Five of Swords”

How Journal, “Two Poems” 

McSweeney’s Internet Tendency, “How to Know…” 


LitHub, “Elemental City”

Configurations: Journal of Literature, Science, and Art, “The Poetics of Suspense”

The Margins, AAWW, “Meena Alexander: On Intrusion, Dissolution, and Elsewhere” 

Boston Review, “A Body of Shifting Resilience: Review of Cortney Lamar Charleston’s Telepathologies” 

Boston Review, “Toxicity, Vulnerability, Intimacy” 

Electric Literature, “On Amitav Ghosh’s The Great Derangement” 

The Margins, AAWW, “Obama in Kenya: Geographies of Diaspora in Four Movements”

The California Journal of Poetics, “Scientific Materialism and Poetics” 

Postmodern Culture, “The Transgenic Imagination” 

Rattle, Review of Sarah Riggs Autobiography of Envelopes