Poems and Essays


Tin House, “In California, Everything Already Looks like the Afterlife” and “The Eulogy”

BOAAT Journal, “At the Public Library, Surrounded by the Unlikely in Montauk, NY”

The Boston Review, “Black Death, Screen Culture, and the Oppositional Gaze: Review of Cortney Lamar Charleston’s Telepathologies” 

Columbia Poetry Review, “Coloring Hour” and “Running in the Suburbs”

Bennington Review, “Amsterdam”

Hayden’s Ferry Review, “Bad Habit”

Denver Quarterly, “The Machine and the Catholic or Alice and Eileen”

Jacket2, “We Charge Genocide: An Erasure”

Selection of Published Work 

Court Green, “The Poet Holds a Gun”

Thrush Poetry Journal, “Regret is like a Blue Dive”

Rattle, “Nukemap.com” 

The Common, “Good Boys”

McSweeney’s Internet Tendency, “Eight Symptoms of Senior Colleague Syndrome”

The Common Feature Poet Online, “White People Always Want to Tell They Grew Up Poor”

The Adroit Journal, “Fabric in Tribeca”

PANK, “Indigo” and “Dior”`

Rattle, “The Flight to Sacramento”

Guernica, “The Afrikander”

The Boston Review, “Toxicity, Vulnerability, Intimacy” 

poem-a-day, Academy of American Poets, “The Jungle”

Electric Literature, “On Amitav Ghosh’s The Great Derangement” 

The Margins, AAWW, “Obama in Kenya: Geographies of Diaspora in Four Movements”

Cosmonauts Avenue, “Jules et Jim” and “Libson” 

The Volta, “SalmonFly”

The Walrus, “Manchester to Lisbon” 

Rattle, Review of Sarah Riggs Autobiography of Envelopes 

Two Peach, “Five of Swords”

The California Journal of Poetics, “Scientific Materialism and Poetics” 

Postmodern Culture, “The Transgenic Imagination” 

How Journal, “Two Poems” 

McSweeney’s Internet Tendency, “How to Know…”