Ploughshares, “Rhode Island Wedding”

Chicago Review, “In the Beginning”; “No Black. No Asian. No Femme”; “The Solar Wake”

The Missouri Review, Poem of the Week, “Sonora”

BOAAT Journal, “At the Public Library, Surrounded by the Unlikely in Montauk, NY”

Columbia Poetry Review, “Coloring Hour” and “Running in the Suburbs”

Hayden’s Ferry Review, “Bad Habit”

Denver Quarterly, “The Machine and the Catholic or Alice and Eileen”

Jacket2, “We Charge Genocide: An Erasure”

Selection of Published Work 

Tin House, “In California, Everything Already Looks like the Afterlife” and “The Eulogy”

Academy of American Poets (Tin House Preview), “In California, Everything Already Looks Like the Afterlife” 

Bennington Review, “Amsterdam”

Court Green, “The Poet Holds a Gun”

Thrush Poetry Journal, “Regret is like a Blue Dive”

Rattle, “Nukemap.com” 

The Common, “Good Boys”

McSweeney’s Internet Tendency, “Eight Symptoms of Senior Colleague Syndrome”

The Common Feature Poet Online, “White People Always Want to Tell They Grew Up Poor”

The Adroit Journal, “Fabric in Tribeca”

PANK, “Indigo” and “Dior”`

Rattle, “The Flight to Sacramento”

Guernica, “The Afrikander”

poem-a-day, Academy of American Poets, “The Jungle”

Cosmonauts Avenue, “Jules et Jim” and “Libson” 

The Volta, “SalmonFly”

The Walrus, “Manchester to Lisbon” 

Two Peach, “Five of Swords”

How Journal, “Two Poems” 

McSweeney’s Internet Tendency, “How to Know…”